How to Scrap the Outline: Haruki Murakami & Synchronicity Haruki Murakami plot points interlock with meaningful coincidences, bridging the gap between conscious and subconscious. He has gone on record to say that he doesn’t outline any of this. “When I start to write, I don’t have any plan at all. I just wait for the… Read More THE LANGUAGE OF DREAMS I
In the alternative (or secret) history of China Mieville’s The Last Day’s of New Paris, art is power, literally. Living surrealist artworks roam over post-WWII Parisian cobble, with the Eiffel tower hovering in the distance, its lower-half non-existent. Here, Nazi occult rituals and La Résistance collide in a manner reminiscent of Indiana Jones or Hell… Read More THE ELEPHANT FRAGMENT
Rachel scavenges a post-apocalyptic city, rife with traps, mutated child tribes, and monstrous bears. She searches for food, water, and bio-tech. One day, she comes upon Borne, an enigmatic blob with a taste for lizards, and decides to raise him as her own. What is Borne? Where did he come from? Under the veneer of… Read More REACTIONS: BORNE
While browsing the subreddit for fantasy writers, I came across a brief discussion detailing the value of content over style, and it reminded me of an Ursula K Le Guin essay called From Elfland to Poughkeepsie, published in 1973. Here, Le Guin makes a point which all writers, especially fantasists, should be familiar with: style and content are not mutually exclusive. Most… Read More STYLE & FANTASY
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