In the alternative (or secret) history of China Mieville’s The Last Day’s of New Paris, art is power, literally. Living surrealist artworks roam over post-WWII Parisian cobble, with the Eiffel tower hovering in the distance, its lower-half non-existent. Here, Nazi occult rituals and La Résistance collide in a manner reminiscent of Indiana Jones or Hell… Read More THE ELEPHANT FRAGMENT